Jacqueline Jacquet



Jacqueline "Jackie" Jacquet is the eldest of "The Jacquets" and the most powerful member of the Goosby Dynasty. Unknown to most, she is actually a bit stronger than Aaron Lamar Goosby. A fact that Aaron would have proudly admitted to if anyone had bother to ask. As a result of an ongoing business alliance between the Limbo of the Marooned and the World Government, she isn't considered to be a pirate in spite of the fact that the Goosby Dynasty openly flies a Jolly Roger.

Appearance and Personality
WIP...

Abilities and Powers
Devil Fruit - Jacqueline "Jackie" Jacquet is the consumer of the Eiga Eiga no Mi (Film Film Fruit). This Devil Fruit allows Jackie to both "record" a scenario by viewing it through a square formed from her index fingers and thumbs and "play" any scenario which has been recorded by her by means of viewing her desired "actor(s)" through a circle formed from her index fingers and thumbs, assigning whatever "role" to whoever she desires. Initially Jackie would only use this ability to entertain her siblings. She would "record" one of them making a funny face and then "play" the recording on a random passerby in order to make the passerby make the exact same face, much to Jack and Lyn's amusement. It was Aaron who convinced her use this ability in combat. He managed to do so by explaining to her that it was possible for her to expand her "arsenal" by "recording" scenarios like a battle or a suicide. From this point onward, the Eiga Eiga no Mi went from being a liability to Jackie's greatest asset. Jackie begun to "play" battles, assigning her enemies the "roles" of combatants from opposite sides and as a result having them kill each other. She begun to "play" suicides, assigning the "role" to an enemy or even a group of enemies in order to make them kill each other. She even begun to "play" dances, assigning the role to an enemy in order to render the enemy incapable of defending his- or herself from either Aaron or one of her siblings. She became the closest thing to "invincible" that the Limbo of the Marooned had to offer to the world.

Haki - Being a full-time Devil Fruit user, Jackie was much more accustomed to out-of-nowhere powers than Aaron was. Thus when Aaron begun to teach it to her during the time skip, she embraced it. Just like her Shousentai no Seitouboueiryū, Jackie never mastered Haki in its entirety. Instead she mastered what would make it easier for her to use the powers she gained by consuming the Eiga Eiga no Mi.


 * Onna no Dairokkan - Women's Intuition - Is a maneuver where Jackie willfully invokes her Kenbunshoku Haki in order to come into possession of a hunch concerning an ongoing occurrence. Though the hunch may not be detailed, it is perfectly accurate.


 * Setsuju - Intercept - Is a maneuver where Jackie's Kenbunshoku Haki invokes itself, in response to an opponent's invocation of Kenbunshoku Haki, in order to instantaneously bestow onto Jackie information regarding her opponent's invocation of Kenbunshoku Haki. Essentially it lets her know what her opponent knows about her future moves.

Shousentai no Seitouboueiryū - Japanese Translation of English: Legitimate Delf-Defence Style of the Merchant Fleet - Is an ansatsuken (Japanese Translation of English: Assassination Fist) which has been gradually developed by commercial sailors as an efficient means of defending their cargo from pirates and hostile creatures. As a result of having been designed to be used to prevent the theft of freight, it is an exclusively offensive form of unarmed combat which endorses only the most precise of attacks in order to prevent collateral damage. During the time skip, Jackies was introduced to the art by Aaron. Jackie never mastered Shousentai no Seitouboueiryū in its entirety. But she did master those portions of the art which would make it more difficult for others to prevent her from using the Eiga Eiga no Mi.
 * Kaiō-rui no Tosshin - Japanese Translation of English: Sea King's Charge - Is a maneuver within Shousentai no Seitouboueiryū where the practitioner utilizes an abrupt lunge to nigh-instantaneously traverse the distance between his- or herself and his or her target(s). Under normal circumstances, the velocity of this maneuver is vastly superior to the velocity of techniques which operate under the principle of taking a multitude of steps in a short amount of time such as Shakushi and Soru. However, in exchange the overall speed of this maneuver is vastly superior to the aforementioned techniques because of the fact that this maneuver forces the practitioner to come to a halt before he or she can change directions. An expert practitioner of Shousentai no Seitouboueiryū is capable of utilizing this maneuver underwater in order to propel his- or herself like a torpedo. A master practitioner of Shousentai no Seitouboueiryū can use it in mid-air in order to propel his- or herself like a missile.
 * Jiguzagu - Japanese Pronunciation of English: Zigzag - A variation of Kaiō-rui no Tosshin where the practitioner lunges forward, lands in a manner which allows him or her to pivot his- or herself into facing the direction he or she wishes to go next, and then lunges again. Proper utilization of this maneuver will allow the speed of a practitioner to surpass that of user's of techniques like Shakushi and Soru; however, the practitioner will still lack the mobility of the aforementioned techniques because he or she will only be capable of traveling in straight lines.